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About me

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Originally raised in the southern US state of Kentucky, I have studied and lived abroad in India, the Pacific Northwest, Great Britain, and The Netherlands. I’m currently an assistant professor at the Film and Literary Studies Department of Leiden University and a 2014 Veni laureate (Dutch postdoctoral research grant) hosted at the Leiden University Center for the Arts in Society. I will become a tenured assistant professor from March 1, 2018 at this same university.

I received my PhD in Cultural Analysis at the University of Amsterdam in 2011 with a full fellowship from the Amsterdam School for Cultural Analysis. My Masters in Cultural Studies (with distinction) was granted by the University of Leeds in 2004. Since 2013, I serve as the first editor of arts and culture for TSQ: Transgender Studies Quarterly. I also am a founding editorial board member for the new open access journal Capacious: Journal for Emerging Affective Inquiry, launched in 2016.

My long-time interest in transgender studies is due to the way it de-stabilizes binary assumptions on gender and sexuality and thereby potentially innovates any discipline. My research analyzes trans cultural production to understand how frameworks of visuality embedded in specific visual mediums shape one’s reading of bodily difference. I aim to affirm representations of trans embodiment while accounting for the difficulties of being seen as a legitimate person (such as in my forthcoming book with Duke). I also identify as a non-binary trans person –some might say as genderqueer– and use the pronouns they/them/their.

I use concepts from affect theory as a means to conceptualize the negotiations of self-with-other in analyses of cultural objects that mediate human relationships. Studying visual stigma and its redress and reworking in trans media forms has led to discussions of activism, which are at the heart of my VENI project and conference. In related publications, I developed a critical vocabulary for collaborative, political portraiture, which show how artistic portraits counteract negative media portrayals. I also analyzed moments when trans spokespersons revealed during televised interviews how it feels to be a “problem” within the mediascape, the presence of trans actors/characters in mainstream film and media, and how digital media arts like memes, .GIF animation, and selfies present opportunities to intervene in digital superpublics.

In current research trends, as I have begun to analyze trans digital activism, I have the ambition to innovate the field of digital media through a trans approach, and vice-versa. This research is grounded in supporting and propagating trans media influencers within trans media communities and who engage with mainstream (digital) media as well. A two-day “International Trans Media Expert Meeting” held in Amsterdam at Atria over October 19-20, 2017, with the support of the Dutch Ministry of Education, Culture and Science, kicked-off this project. The participants from Transgender Netwerk Nederlands, Iranti-org, Global Action for Transgender Empowerment, GLAAD, All About Trans, Transgender Europe, and T-Image have formed a Global Trans Media Network and are planning further actions.

I currently serve as a member of the advisory council (adviesraad) to the management team of the Leiden University Center for Arts in Society. I also serve as the Leiden University representative on the curriculum committee (onderwijsraad) of the Dutch Research School of Gender Studies (NOG), which is the national affiliation body for all Research MA students, PhDs and faculty  in Gender, Ethnicity and Diversity Studies. Since recently I serve on the board of the cutting-edge NIAS-Lorenz Center program, which hosts interdisciplinary scholars and activities.

My forthcoming book with Duke University Press is called Shimmering Images: Trans Cinema, Embodiment and the Aesthetics of Change (2018). I account for why transgender bodies often appear as shimmering—coming into and out of intelligible focus—in cultural optics for perceiving gender. Through engagement with cinematic aesthetics, in which a shimmering visual quality is the norm rather than the exception, I develop a trans affirmative onto-epistemology starting from the state of shimmering movement, rather than from a fixed stasis. Together with Laura Horak and Cael Keegan I’m co-editing a special issue of Somatechnics Journal on “Cinematic Bodies” to further build the field of research on what it might mean to occupy a cinematic body (forthcoming 2018).

My NWO-Veni research project, “Vital Art: Transgender Portraiture as Visual Activism,” relies on participatory ethnography to engage with the worlds created in contemporary visual art practices that harbor at-risk trans subjectivity and critique the discrimination of gender non-conforming bodies. With this project I incorporate qualitative empirical research methods into my practice of formal visual interpretative methods. The book will unfold as a series of research portraits of the participating portrait artists, capped by discussions of faciality and opacity at play in contemporary trans portraiture (Please see the additional page Vital Art for more on this project.)

I am committed in my work to map out the interconnections of social realities with cultural productions, that is, how art-making can be socially embedded and culturally responsive. This synergy is also my lived reality as I have long collaborated on film festivals and art exhibitions that aim to improve the visibility of gender diversity (2003-present).  



I am an active member of a number of scholarly, activist and cultural organizations.

Netherlands Institute for Cultural Analysis (NICA)
Netherlands Research School for Gender Studies (NOG)
Amsterdam Research Centre for Gender and Sexuality (ARC-GS)
Leiden University Center for the Arts in Society (LUCAS)

Association for Cultural Studies (ACS)
Cultural Studies Association (CSA)
Society for Cinema and Media Studies (SCMS)
International Research Association of Institutions of Advanced Gender Studies (RINGS)
National Women’s Studies Association (NWSA)
European Society for Literature Science and the Arts (SLSA-eu)
European Network for Cinema and Media Studies (NECS)
European Association for Gender Research, Education and Documentation (ATGENDER)
Somatechnics Research Centre, Institute for LGBT Studies, University of Arizona, US
Centre for Fine Art Research (CFAR), Birmingham Institute for Art & Design, UK
Institut für Queer Theory (Institute for Queer Theory), Berlin, DE
Vlaams-Nederlands Netwerk LGBT Onderzoek (Flemish-Dutch Network for LGBT research)
European Summer School for Cultural Studies (ESSCS)

The Netherlands Transgender Film Festival (NTGF)
T-Image Foundation
TranScreen Amsterdam Transgender Film Festival
The European Queer Film and Arts Festival Alliance


Media Coverage

Closing Ceremony, "The fifth edition The Netherlands Transgender Film Festival" (Amsterdam, 2009)I’ve had the opportunity to speak in public forums with audiences from around the world. Here are some images and interviews taken from these occasions.

external-link-icon Interviews given to the Dutch Press (2015-2016)

external-link-icon Review of my talk on Chris Rijksen’s photographic exhibition opening at IHLIA (January 21, 2013)

external-link-icon Closing Ceremony, “The fifth edition The Netherlands Transgender Film Festival” (Amsterdam, 2009)

external-link-icon Trans-ErotiXXX workshop, “Get Bent! A Festival of Queer Diversity” (Manchester, 2007)

external-link-icon Introducing my film, FEETISH, “MIX NYC Queer Experimental Film Festival” (New York City, 2006).